painting The Castle of St. George is still the most representative monument of the history of the city of La Spezia Modena
Friday, May 15, 2009
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Il Castello di San Giorgio risulta a tutt'oggi il monumento maggiormente rappresentativo della vicenda storica della città della Spezia. 
Posta su un piccolo rilievo chiamato il Poggio, dominante l'abitato di formazione bassomedievale, la fortezza ha conosciuto numerose fasi di edificazione, documentate a partire perlomeno dalla seconda metà del XIV secolo: è a questa data difatti che sono ricon-ducibili le fondamenta della torre oggi conservata solo nella porzione basamentale e compresa nella parte superiore della struttura, le murature dotate di feritoie per arcieri poste a settentrione, in dirczione del giardino esterno, ed il lembo di mura urbane superstite interrotto dallo svolgimento di via XX settembre. 
Nel 1443 il Castello subisce un radicale intervento con l'aggiunta del corpo a valle, apprestato per l'utilizzo delle armi da fuoco, mentre un secolo più tardi, nel 1554, si da inizio ai lavori di edificazione di un'importante opera difensiva di appoggio chiamata la Bastia, i cui resti sono riaffiorati recentemente, ed a una totale riqualificazione della parte sommitale dell'edificio. contemporary even at this stage the building of the Tower of San Giovanni Battista, also known as Torre Scola, Olive in the inlet, not far from Portovenere. Exploiting the scanning rooms in the castle of St. George were scheduled two complementary routes, consequential, or alternative: the lower floor are housed evidence of the life of the territory from the Pleistocene to the Roman and the formation of the same museum collection, the upper floor have been preserved Roman remains from the site of Luni and already part of the collection Fabbricotti.
Finally in 1607 it from the hands of the interventions that we deliver the castle in its final form, following the important work of upgrading the defensive system of the Gulf of Genoa Lower Level.
Downstairs opens with the presentation of the archaeological collection extraterritorial acquired by the Museum collection by the geologist and break Giovanni Capellini that, in the second half of last century, he studied prehistoric material, prehistoric and classical laying the foundations of modern scientific archeology thanks to the dense tete relations tta intellectuals across Europe. In the small window latetale II of the hall, where he begins the section on the territory of the Lunigiana, are relics of the Neolithic age as polished axes from San Bernardino, PDAs and Crow Head to the examples of which are flanked by enormous dents in horn-Matterhorn but not of the Lunigiana Museum in revenue by collecting Capellini. In the display case exhibited the greater are the Grotta dei Colombi Aeneolithic Palmaria island, excavated in the years 1869-70, and the Tana della Volpe Equi Ferme.
The element of greatest importance, however, is made up of the stone statues of taccolta presented in the two outer platforms and the statues, while denoting a characteristic and specific local connotations, are part of the current artistic and religious statuary featuring anthropomorphic characters similar to other European archaeological groups such as the stele of the Trentino Alto Adige, Valle d'Aosta, Sardinia, Corsica, Switzerland and France. The stele was found on several occasions since the last century, in the basin of the river Magra and its tributaries and document the emergence and flourishing of production in the Copper (IV-III millennium BC) and the age of Ferro. Of these original, nineteen are preserved and exhibited at the Museum along with some meaningful comparisons made below. The room
The caves were used during the Copper Age, as the seat of special funeral rite consists in the deposition or nell'inumazione corpses inside caves. The human remains and the nature of their outfits (especially the jewelry industry made up of shells and stone and bone) are quite similar to those found in other burials eneoliti-that of the Apuan Alps and northern Italy. In showcases the finds of the Bronze and Iron ages are confirmed by Migliarina materials, and the plain of Luni Rosso di Zeri, and by finds from the necropolis and special settlements known as castles. The cremation tombs of Pegazzano, Ponzolo, Valdonica, Resceto Lemon and honeydew are presented to exhibitors at the bottom shows the reconstruction of the funerary stone structure, known as the cassette, and the higher the remains of cremated and the funeral. The large side windows welcome the findings of the necropolis and Ameglia Genicciola.
appropriations hill known as the castles (pre-Latin cast from the base, meaning high place) was popular from the Middle Bronze Age until the second Iron Age, when climatic conditions, social and economic stabilized in a framework that could see the sheep on the high seas as a major source of livelihood. The strategic points of the paths along the ridge were occupied by settlements, like those of pinion and Pieve San Lorenzo in mostta presented that could easily control steps and favorable pasture areas used with short-range transhumance, from villages in the valley.
The first path ends with the exhibition, in the back of the room, the paleontological section - representative of the original core of the museum of La Spezia, born in 1873 with the aim of preserving the evidence of nature and archaeological Listica-ter- ritotio - and with materials from villas and airports Mouth Magta (Courtesy of the Archaeological Heritage of Soptintendenza pet Liguria) and San Vito di Matola, La Spezia.
Upper Floor
downstairs opens with the presentation of the archaeological collection extraterritorial acquired by the Museum collection by the geologist and break Giovanni Capellini that, in the second half of last century, he studied prehistoric material, prehistoric and classical throwing the scientific basis of modern archeology thanks to the close relations tete tta intellectuals across Europe. In the small window latetale II of the hall, where he begins the section devoted to the territory Lunigiana, are relics of the Neolithic age as polished axes from San Bernardino, PDAs and Crow Head to the examples of which are flanked by enormous dents in horn-Matterhorn but not of the Lunigiana Museum in revenue by collecting Capellini. In the display case exhibited the greater are the Grotta dei Colombi Aeneolithic Palmaria island, excavated in the years 1869-70, and the Tana della Volpe Equi Ferme. The cavities were used, during the Copper Age, as the seat of special funeral rite consists in the deposition or nell'inumazione corpses inside caves. The human remains and the nature of their kits (mainly composed of shells and jewelry industry stone and bone) are quite similar to those found in other burials eneoliti-that of the Apuan Alps and northern Italy.
The element of greatest importance, however, is made up of the stone statues of taccolta presented in the two outer platforms and the statues, while denoting a characteristic and specific local connotations, are part of the current artistic and religious statuary featuring anthropomorphic characters similar to other European archaeological groups such as the stele of the Trentino Alto Adige, Valle d'Aosta, Sardinia, Corsica, Switzerland and France. The stele was found on several occasions since the last century, in the basin of the river Magra and its tributaries and documentano la nascita e il fiorire della produzione nell'età del Rame (IV-III millennio a.C.) e nell'età del Ferro. Di questi originali, diciannove sono conservati al Museo ed esposti insieme ad alcuni confronti significativi realizzati in calco.
La sala HI ospita la stele dell'età del Ferro denominata Filetto I e le riproduzioni degli esemplari di Campoli, Nova, Filetto e Bocconi.
Nelle vetrine i ritrovamenti di età del Bronzo e del Ferro sono testimoniati dai materiali da Migliarina, piana di Luni e Rossano di Zeri, nonché dai reperti da necropoli e da particolari abitati conosciuti come castellati. Le tombe ad incinerazione di Pegazzano, Ponzolo, Valdonica, Resceto e Limone Melata sono presentate in espositori che mostrano nella parte inferiore la ricostruzione della struttura funeraria litica, la cosiddetta cassetta, e nella superiore i resti e il corredo funebre dei cremati. Le grandi vetrine laterali accolgono i reperti delle necropoli di Ameglia e Genicciola.
Gli stanziamenti d'altura noti con il nome di castellati (dalla base prelatina cast, significante luogo elevato) furono frequentati a partire dalla media età del Bronzo sino alla seconda età del Ferro, quando condizioni climatiche, sociali ed economiche si stabilizzarono in un quadro che vedeva la pastorizia d'altura come una importantissima fonte di sostentamento. I punti strategici dei percorsi di crinale vennero occupati da insediamenti, come quelli di Pignone e Pieve San Lorenzo presentati in mostta, che potevano controllare agevolmente passi e favorevoli zone di pascolo utilizzate, con transumanze a breve raggio, da abitati di fondovalle.
Il primo percorso si chiude con l'esposizione, nella parte posteriore della sala I, della sezione paleontologica — rappresentante parte del nucleo originale del museo spezzino, nato nel 1873 con il fine di conservare le testimonianze natura-listiche ed archeologiche del ter-ritotio e con materiali provenienti dalle ville e dagli scali di Bocca di Magta (per gentile concessione della Soptintendenza pet i Beni Archeologici della Liguria) e San Vito di Matola, alla Spezia.
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